Les Contes d'Hoffmann, Act IV: C'est bien! On est en fête! (Schlemil, Giulietta, Pitichinaccio, Hoffmann, Chorus, Nicklausse, Dapertutto)

Jacques Offenbach, Neil Shicoff, Ann Murray, Jessye Norman, José van Dam, Robert Tear, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Sylvain Cambreling

Der Barbier von Bagdad (the Barber of Bagdad), Act I: Hinaus aus Hof und Haus! [Chorus, Abul]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Waiting for Miss Monroe, Act I (Workday): Can I Speak To Paula For A Moment, Please?

Robin de Raaff, Laura Aikin, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Helena Rasker, David DQ Lee, Steven Sloane, Netherlands Chamber Orchestra

Der Barbier von Bagdad (the Barber of Bagdad), Act II: Platz dem Kalifen… Sprich Kadi! [Caliph, Cadi, Abul, Chorus]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Waiting for Miss Monroe, Act I (Workday): No Marilyn

Robin de Raaff, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Laura Aikin, Steven Sloane, Netherlands Chamber Orchestra

Der Barbier von Bagdad (the Barber of Bagdad), Act II: Weh! Weh!… Erschreckt nicht [Slave, Bostana, Abul, Margiana, Nureddin]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Der Barbier von Bagdad (the Barber of Bagdad), Act I: Sanfter Schlummer [Servants, Nureddin]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Der Barbier von Bagdad (the Barber of Bagdad), Act II: Zeig deinen Schatz, mein Kind… [Cadi, Margiana, Chorus, Abul, All]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Waiting for Miss Monroe, Act III (Deathday): Will Miss Monroe’s Services Henceforth

Robin de Raaff, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Steven Sloane, Netherlands Chamber Orchestra

Der Barbier von Bagdad (the Barber of Bagdad), Act I: Mein Sohn, sei Allahs Frieden… [Abul, Nureddin]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Der Barbier von Bagdad (the Barber of Bagdad), Act I: Ich seh, durch Strenge werd ich ihn nicht los… [Nureddin, Abul]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Der Barbier von Bagdad (the Barber of Bagdad): Overture

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Reigen: Scene X

Philippe Boesmans, Orchestre Symphonique De La Monnaie, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Deborah Raymond, Sylvain Cambreling

Der Barbier von Bagdad (the Barber of Bagdad), Act II: Dass nicht die laute Welt uns store [Nureddin, Abul, Margiana]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Der Barbier von Bagdad (the Barber of Bagdad), Act II: Der Abul Hassan Ali Ebn Bekar [Bostana, Nureddin]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Reigen: Scene IX

Philippe Boesmans, Orchestre Symphonique De La Monnaie, Françoise Pollet, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Sylvain Cambreling

Der Barbier von Bagdad (the Barber of Bagdad), Act I: So leb' ich noch! So hat noch nicht [Nureddin]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Waiting for Miss Monroe, Act I (Workday): Cut!

Robin de Raaff, Laura Aikin, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, David DQ Lee, Helena Rasker, Steven Sloane, Netherlands Chamber Orchestra

Les Contes d'Hoffmann, Act IV: Viens tenter ta chance (Chorus, Schlemil, Nicklausse, Hoffmann, Giulietta)

Jacques Offenbach, Neil Shicoff, Ann Murray, Jessye Norman, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Brussels National Opera Chorus, Orchestre Symphonique de l'Opéra National, Bruxelles, Sylvain Cambreling

Der Barbier von Bagdad (the Barber of Bagdad), Act II: Introduction

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Der Barbier von Bagdad (the Barber of Bagdad), Act I: Ach, das Leid hab' ich getragen [Nureddin]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Der Barbier von Bagdad (the Barber of Bagdad), Act I: O sehet den Armen [Nureddin, Serverts, Abul]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Der Barbier von Bagdad (the Barber of Bagdad), Act II: O holdes Bild in Engelschone [Nureddin, Margiana]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Waiting for Miss Monroe, Act III (Deathday): I’m Here, Foxy Dear

Robin de Raaff, Laura Aikin, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Steven Sloane, Netherlands Chamber Orchestra

Waiting for Miss Monroe, Act I (Workday): Action!

Robin de Raaff, Laura Aikin, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, David DQ Lee, Steven Sloane, Netherlands Chamber Orchestra

Waiting for Miss Monroe, Act I (Workday): Interlude I

Robin de Raaff, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Steven Sloane, Netherlands Chamber Orchestra

Waiting for Miss Monroe, Act III (Deathday): Interlude II

Robin de Raaff, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Steven Sloane, Netherlands Chamber Orchestra

Der Barbier von Bagdad (the Barber of Bagdad), Act II: Er kommt! Er kommt! Er kommt! O Wonne meiner Brust! [Margiana, Bostana, Cadi]

Anton Maxen, WDR Rundfunkchor Köln, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Fritz Peter, WDR Sinfonieorchester Köln, Marga Schiml, Ferdinand Leitner, Ferdinand Schnelle, Helen Donath, Hans Sotin, Horst Rüdiger Laubenthal, André Peysang, Peter Cornelius, Rolf Dieter Krull

Waiting for Miss Monroe, Act I (Workday): Opening

Robin de Raaff, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Steven Sloane, Netherlands Chamber Orchestra

Waiting for Miss Monroe, Act I (Workday): Don’t Give In To Your Fear

Robin de Raaff, Helena Rasker, David DQ Lee, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Dale Duesing, Steven Sloane, Netherlands Chamber Orchestra